Technicolor provided digital intermediate finishing for the film’s range of release formats, including 2D and 3D, with the color grading supervised by Steve J. Scott, the company’s senior supervising digital colorist based in Hollywood.
Stated Steve Scott, “Thor: The Dark World had one of the most compressed post-production schedules of any major effects-driven tent-pole project in memory.
The film’s sound mixing was being finished on an adjacent stage.
